Bill Nace, John Olson & Twig Harper "No Response Festival Improvisation (Radio Performance)" - File, Soundcloud, 2017 Recorded June 17, 2017 on Trash Flow Radio, WAIF 88.3 FM, Cincinnati OH, in connection with the 2017 No Response Fest of experimenta...
Thursday, January 15, 2009
Filipe Pires - Canto Ecuménico/Litania/Homo Sapiens (1980)
Some amazing acousmatic music! Noise collage at it's finest! Highly recommended if you're interested in noise, electroacoustics, avante-garde composition.
"[Filipe Pires] began his career as a pianist, studying in Lisbon, Hannover and Salzburg. A growing interest in avant-garde aesthetic trends led him to undergo training in electroacoustic music with Pierre Schaeffer at Groupe de Recherches Musicales, from 1970 to 1972. He was engaged as a music specialist for the UNESCO International Secretariat between 1975 and 1979. Up to present, he has also been teaching musical analysis and composition. The musical language of Filipe Pires, formerly of strong tonal roots of neo-classical appearance, has shifted to atonalism, chance and electroacoustics, the latter of which he was a pioneer in Portugal in the 1970’s." - Unknown source.
1. Canto Ecuménico (Ecumenical Chant) - 1979
The choice of a religious theme is a pretext for an approximate comparison of traditional music from different cultural areas. The similarities and differences are presented in the form of collages and quotations, connected and superimposed on the sequences of sound material - vocal and instrumental - drawn exclusively from the musicians. Some parts are fragments of Australian Aboriginal rites, joined with Rain Spirits and mixed with sound taken from a funeral ceremony of the Somba of North Benim. Also included are materials from Tibet, Japan, Orthodox Christian Chants from Armenia and Syria, Islamic rites from Morocco, Yemen and Tunisia. Moroccan, Yemenite and Tunisian jews are also quoted here. From a formal point of view, the grand lines of the composition come together in a single block, in the middle of which distinct sessions develop.
2. Litania (Litany) - 1972
This work was composed while Pires was studying with the French GRM. The improvised parts are controlled in the editing process. The sound materials originate mostly from sheets of iron and metal wires, which are joined at their ends. To produce sound, these are plucked, struck or rubbed, obtaining an extensive range of vibrations. Other sound objects are inserted into the discourse, upon which there are opposite characters, that stop and start under a repetitive pattern.
3. Homo Sapiens - 1972
At the heart of this work is the human voice, used as the symbol of earth and creation. It is phonetically framed towards movement, elaboration, and the fusion of disparate sound elements. Homo Sapiens is a revision of the first part of the Nam Ban ballet, composed in 1970. The present version was composed while Pires was studying at the GRM in Paris.
Released in 1980 by Imavox SARL.
Re-released on CD by Strauss in 1997.
1. Canto Ecuménico  (24:45)
2. Litania  (14:31)
3. Homo Sapiens  (13:38)
(Thanks to bravo juju for the original upload)